On a Mountainside
August 31, 2026
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There is a moment, before you know what you're looking at, when a photograph is only tone and weight. Rock the color of iron. A sky pressing low with weather it hasn't decided to release. And then, small enough that the eye has to go looking for them, two pale shapes hold to a wall that offers almost nothing to hold to. A nanny and her kid, out on a cliff face somewhere above eleven thousand feet, going about the entirely unremarkable business of being mountain goats. The forest below recedes into a soft, unbroken gray, and the far ridgeline dissolves into the cloud sitting on it — nothing left sharp but the outcrop itself, fractured granite holding its edges while everything around it gives way to air. Peter Henry Emerson made this his whole argument, over a century ago: that a photograph owes its truth not to what a lens can resolve, but to what the eye actually does with a scene, resting on one plane and letting the rest go soft. That's how we look at a mountainside in weather like this — not evenly, but selectively, the way this frame does. What matters here is the kid's head, turned back and down toward its mother. Not grazing, not climbing — checking. A small, plainly legible moment of doubt, the kind any parent recognizes on sight: are you still there? is this still right? The nanny, a few feet off and lower on the rock, has already moved on to her own next few feet of route, unbothered by the drop beneath her. She has done this before. The kid hasn't, not really, and it shows in the angle of that neck. I don't know how long the two of them held that ledge after the shutter closed, or how many times the kid turned to check before it stopped needing to. Long enough, I'd guess, that the doubt wore off the way it always does — one confirmed foothold at a time. Shot in color on August 27, 2026 at Juniper Pass Picnic Area at the base of Mt. Blue Sky, and processed for black and white tone rather than detail.
A Refreshed About Page -- And a New Direction
June 17, 2026
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The About page has a new look — I hope you'll take a moment to read it and leave a comment. One thing the new page addresses is that I've been largely absent from photography since 2025. The reason is a good one: I've been immersed in drawing and painting. I'm currently working toward the Botanic Art and Illustration certificate at the Denver Botanic Gardens, and I spend a good deal of time nature journaling as well. The media are graphite, colored pencil, and watercolor. Drawing from observation forces a different kind of attention to light and shadow — slower, more deliberate — and I'm convinced that will eventually deepen what I bring to the camera when I return to it. The elephant above is my most recent drawing, done in graphite. He's an Asian elephant at the Denver Zoo, and the drawing is based on a photograph I made of him a few weeks ago. I was drawn to the challenge of rendering the texture of that extraordinary skin and the subtle way light falls across the head and shoulders. I'm pleased with how he turned out. I hope to be back behind the camera before too long. In the meantime, the pencil is keeping my eye sharp.
Monastery of Christ in the Desert
December 17, 2025
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The Monastery of Christ in the Desert is a Benedictine monastery located in a remote area (at the end of a 13 mile one lane dirt road) about 30 miles Northeast of Abiquiu, New Mexico. It's on a section of the Chama River that has been designated a Wild and Scenic River. Abiquiu is where Georgia O'Keeffe lived and worked in the 1940's and 50's. The monastery was designed by a Japanese architect in the Santa Fe style. That means the building and the sandstone behind it are almost the same color. The building just blends into the background. This black and white image has been processed in a way to better segregate the building from the background. Currently there are around 15 monks at the monastery. It also has overnight guest facilities. The monks generally observe silence except during services. Guests are expected to similarly observe silence. I was recently there for 5 days of solitude, which was nice. Sacred Heart Catholic Church
December 06, 2025
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It has been fun processing this image. This church is in Denver's River North area. I've always thought it was a distinctive and distinguished looking building with interesting architectural details. For the past several months I've been focused on drawing as a new pastime that is very enjoyable. That's the reason fhere have not been blog posts for several months.
The Shard
March 20, 2025
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The title of this image is The Shard and the caption is: Glass spires reaching The idea here was to reate a black and white cityscape of London's modern skyline along the Thames River including The Shard and City Hall (the rounded structure) to the left. And to use a long exposure of several minutes to create smooth, dramatic clouds and water, giving the composition a moody, timeless quality.
Littoral Symphony
March 02, 2025
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Littoral Symphony This is a beach scene on the upper Oregon coast taken in November 2023. The title comes from a combination of two things. A geologist might refer to the scene as “littoral”. And to me, the scene has a rhythm that reminds me of multiple instruments with different tones. It’s a moderately long exposure of about 6 seconds, which was long enough to give a sense of motion, both in the sky and water. My intent was to express the organic nature of the sea and adjacent beach immediately after a storm. It had been raining for several days and as it turned out would rain for several more days after this.
Waterscapes I - a PDF PhotoBook
February 25, 2025
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I've just completed my first PDF PhotoBook. It's titled Waterscapes I and includes 16 recently completed waterscapes. Please download it using the link above. To downloand click the link above or click on the image. Downloading the photobook may take a few minutes. The book is optimized for Acrobat on a computer. Some of the navigation buttons won't work in Acrobat on a tablet so it's necessary to use Acrobat's navigation controls when viewing on a tablet. I produced the book as a way to prepare for Denver's Month of Photography portfolio reviews. The portfolio in the book will be reviewed by six reviewers (museum curators, gallery owners and curators, photobook publishers) on March 15, 2025. Since it's a PDF photobook it will be easy to make a revised version with any suggestions from the reviews that I decide to implement. Thanks to Brooks Jensen at LensWork for the inspiration to create the book and for his PDF photobook workshop, which was a big help in getting familiar with InDesign and Adobe Acrobat features that I wasn't previously aware of. The book is based on Brooks' template provided in that workshop. Vertical Concerto
February 14, 2025
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This black and white image is of a group of rounded buildings in Downtown Houston. The buildings were originally offices of the now disgraced and defunct company known as Enron. The lines around the buildings bring to mind a musical score. So I’ve applied a musical theme. The Haiku accompanying this image is: Steel spirals climb high This image is from 2015 when I was living and working in the Houston area. The image was created with a superwide angle lens @15mm.
Eddies and Flow
January 29, 2025
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Populus
January 20, 2025
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The new Populus Hotel in Denver. The architecture is intended to evoke Aspen leaves shimmering. it does that for me. This will be a subject that I'll go back to from time to time. This image was made with a wide angle lens. This seems like a subject for the tilt shift with long exposure to create streaks of clouds. Stay tuned.
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© 2026 Richard L. Lionberger
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